To light or not to light?

Architectural Photographer | Architectural Photography: To light or not to light?

To light or not to light?

To light or not to light? That is the question.

We’ve all seen dramatic, gorgeously lit interior photography that was obviously the result of many hours of skillful work on the part of the architectural photographer. From a photography standpoint, these are beautiful photographs.

As architectural photographers, should we try to produce photographs such as these every time we go out on an interior photography assignment?

The architect or lighting designer who has carefully designed the lighting for the space will likely be unhappy with this type of creative lighting on the part of the photographer. They will probably prefer a photograph that, while beautiful, accurately reflects the lighting that they have so carefully designed.

A hotel or resort on the other hand will likely be thrilled with photography that makes their facility look incredibly dramatic. Even if that look is far from reality.

Bottom line? It depends on your client. Discussing the project and having a clear understanding of the needs and expectations of your client is the best way to begin any architectural photography project. I may feel that the dramatic interplay of light and shadow created by my lights slashing across the room is stunning. But if it is not what my client wants, I’ve got a problem. Communication with the client prior to beginning any project is the best way for an architectural photographer to avoid problems and ensure a happy client.
Curt Clayton
Clayton Studio